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No Love Like That: Stanford Sessions 1997

by Nuzzle

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $10 USD  or more

     

  • Record/Vinyl + Digital Album

    Previously unreleased studio recordings. Limited edition LP on Ultra Clear vinyl. Includes beautiful booklet with commentary from the band and never before seen live pictures and old show flyers.

    Includes unlimited streaming of No Love Like That: Stanford Sessions 1997 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days

      $27 USD or more 

     

  • Record/Vinyl + Digital Album

    We got creative with some extra test pressings for you collector types. Hand numbered in a simple, screen printed cover. Limited to 30 copies.

    Includes unlimited streaming of No Love Like That: Stanford Sessions 1997 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    edition of 30  6 remaining

      $50 USD or more 

     

1.
Scout out a soul, sweep out a drain Lemmings run cold in Coeur d’Alene Don’t stop at that, Leave it at this: Shortstop’s the best position they is! No train’s gonna sputter off, nightcrawler’s gonna scuttle off … Scout out a soul, sweep out a drain Quiet unfolds, and faces fade Drink and get old, leave it at this Shortstop’s the best position they is! No train’s gonna sputter off, nightcrawler’s gonna scuttle off … Scout out a soul, sweep out a drain Ride up and wait, til faces fade Leave it at that, don’t stop at this, Shortstop’s the best position they is! No train’s gonna sputter off, nightcrawler’s gonna scuttle off … You were saying That your hand Full of lamplight Will never touch the ground
2.
No Más 03:28
Don’t act so strong, as you’re pulled along When you stow you stow alone Like an ashtray lips, when you slow kiss When you stow you stow alone And where does the water spit you? Don’t act so strong, as you’re pulled along When you stow you stow alone Like an ashtray lips, when you slow kiss When you stow you stow alone What do I get to spend out of this one? When you stow you stow alone And where does the water spit you?
3.
For your fears, I’ll explain, no chance to kiss, it’s way too late Lacking what I came to get, I’ll leave without a drop of sweat Infernal tap, of hand on dash, alright to dodge, but not like that My blackened spot, is not the why, there are beams in both our eyes Pull your shirt on, and leave your lips closed No such visions, leave us undone Pull your shirt on, and leave your lips closed Come sweet Catherine, the saint is unwon For your fears, I’ll explain, no chance to kiss, it’s way too late My blackened spot, is not the why, there are beams in both our eyes
4.
Allen Says 06:26
Allen says the air smells fresh, and I have come to lay Time slips but you don’t stop, there’s no need for that Don’t spare me that, give it to me neat Time slips and you don’t stop, there’s no need for that My day to day, my lady queen of coffee spoons Don’t spare me that, give it to me neat Come sit where the dome stops, and roundness turns to flat Time slips, but you don’t stop, there’s no need for that Allen says the air smells fresh, and I have come to lay Come sit where the dome stops, and roundness turns to gray My day to day, my lady queen of coffee spoons Winter of lack! Where is your May?
5.
Sitting still with windows all on low Don’t mind me, I’ve always driven slow Lanes won’t change just go just go just go Brilliance goes with this Ride the clutch, don’t stop to let it go Standing near the … Here she comes don’t plan on letting go Things like this don’t turn to salt but stone Brilliance goes with this Things like this don’t turn to salt but stone
6.
The Word #2 05:19
Hey me, bourbon and gore, less than a chore, The smell is enough, it’s open and shut Starry and slurred, it starts with the word, it’s open and Oh! I’ve started up. I’m soylent. I’ve started up. Hey me, starry and slurred, I start with a word It’s open and shut, it’s open enough Bourbon and gore, less than a chore, The smell is enough, it’s open and Oh! I’ve started up. I’m soylent. I’ve started up. It’s open and shut, It’s open enough The smell is enough, it’s open and shut, It’s open enough, it’s open and oh! I’ve started up. I’m soylent. I’ve started up.
7.
Oh long and lonesome me, will always drink to that Stop, spit it and don’t start it don’t start it Stop spinning and don’t start this one Didn’t I tell you? You keep me from having it, the bottle’s leaving Oh short and loathsome me, will always drink to that Sweet rum, will tickle me, until the sun comes Stop, spit it and don’t start it don’t start it Stop spinning and don’t start this one Didn’t I tell you? You keep me from having it, the bottle’s leaving The bottle is leaving me Didn’t I tell you? You keep me from having it, I’ll steep you in my regret, No sin til I’m through with it, no end to this pilgrimage
8.
You weren’t wishing rocks were diamonds, you were missing the stage No one’s wishing, but for that, you were missing the stage, Away, and on, it keeps the summer long, how long, til I run it out Run it out, spun it out, you were missing the stage Run it out, spun it out, you were missing the stage – hurray. No way. No love like that will come your goddamn way

about

Originally recorded for a shortly lived Sub Pop subsidiary, these previously unreleased recordings became the stuff of lore for fans of 90s west coast indie music. Essentially a demo and precursor to Nuzzle’s 1999 LP "San Lorenzo’s Blues", these tracks are more raw, energetic, and representative of Nuzzle’s live shows. Newly remixed and mastered, "No Love Like That: Stanford Sessions 1997", is quintessential Nuzzle at their pinnacle.

credits

released June 9, 2023

Vocals: Andrew Dalton
Guitar, vocals: Nate Dalton
Bass: Simon Fabela
Drums: Ricardo Reano

All songs written by Nuzzle, except "The Word #2" written by Nuzzle and Emily Dalton.

Recorded by Andy Radin in May 1997 at Stanford University/CCRMA (Center for Computer Research in Music and Acoustics)

Transferred from DA-88s to Audio by Dan Johnson, Audio Archiving Burbank, CA, May 2022

Mixed by Liam Nelson, August 2022

Mastered by Dave Gardner at Infrasonic Mastering Los Angeles, September 2022

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Nuzzle Santa Cruz, California

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